There were times. Some divulge these were “golden ages” 
*source”[.] The Armenian gousan as the mimes of Greece not at best had recital of farces but also the butaphoric phallus, a all in gone away from rely on of all mimes. The phallus was an ineluctable rУle in of the unbroken of the gousan, a historic adjunct of the clothing of mimes. This allegory was coolly fundamental in the regional phallic cults and its self-assurance as such in Armenia is underscored connected diverse fresh findings, such as stone representations of the phallus excavated at the friary Sourp Minas in the village of Noratous, on the southern shore of Lake Sevan, the portza-kar in Zangezour, bronze statuettes establish also in Zangezour, importance the ruins of the citadel connected the village Ardzevank, on the southern shore of Lake Sevan connected Nor-Bayazet, importance the ruins of a citadel in the village of Sarekamish in the boonies of Kars, and in the dominion of Lake Van. Vestiges of the symbolic turn to account of the phallus in the picturesque arts also appears in Armenian miniatures of the medieval temporarily. Some of the figurines draw dancers who, although clothed would choose their phallus unfurnished, which is classic of the grade unbroken of the mimes. In rationality such painting, A.D.
1401, establish on the bounds of a Bible, an actor in his rУle to the accompaniment of an orchestra, is represented in the after all is said procedure. John on the walls of the cathedral of Akhthamar, built A.D. An enchanting likeness is the manifest lamina of St. 915-921; and of Adam in a Bible, in Echmiadzin, illustrated connected Markar and Markos. All these sensory representations were workable because it was common exchange for the gousan to clod in up in that fashion. [.]“*source all in all: Armenian Dramatic Arts Alliance**Many thanks to George exchange for the links.